E-Mu PROTEUS FX Manual do Utilizador Página 77
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5 - Effects
Effects Descriptions
E-MU Systems 77
Compressor
In its simplest form, an audio compressor is just an automatic gain control. When the
volume gets too loud, the compressor automatically turns it down. Compressors are
useful in musical applications because they smooth out dynamic volume changes and
provide a louder average signal level.
Since the compressor turns down the gain of the signal, you might wonder how can it
make the signal level stronger. An Output Gain control allows you to boost the output
gain of the compressor in order to make up for the gain reduction. The overall level is
higher and only turned down when the signal level gets too loud. The level at which the
volume gets turned down is called the Threshold, which just happens to be the most
important control on the compressor.
Basic Controls
The three main controls of a compressor are the Ratio control, the Threshold control
and the Output Gain control.
If the signal falls below the Threshold, no processing will take place. Signals exceeding
the Threshold will have gain reduction applied as set by the ratio control. This
important control allows you to dial in the range of amplitudes you want to tame. For
example, if you’re trying to trim off just the loudest peaks, set the threshold high so
that compression only occurs during these peaks. One of the biggest mistakes in
0dB
1:1
1.5:1
2:1
10:1
Ratio
Threshold: -30dB
-30dB
-80dB
Signal Level
Threshold
Ratio
Attack
Release
Output Gain
Signal path = Stereo
VCA
Level
Control
O
ut
In
- E-MU Systems 1 1
- Operation Manual 2
- Table of Contents 3
- 4 Proteus VX Operation Manual 4
- E-MU Systems 5 5
- 6 Proteus VX Operation Manual 6
- E-MU Systems 7 7
- 8 Proteus VX Operation Manual 8
- Introduction 9
- System Requirements 10
- Software Installation 10
- Setting up Cubase LE 11
- and Proteus XVSTi 11
- MIDI Channel 15
- On Your Own 16
- Proteus VX 16
- Main Window 16
- Troubleshooting Checklist 17
- Setting up the Preferences 18
- Audio Preferences 19
- Headroom/Boost 20
- VST Output Buses 20
- MIDI Inputs 21
- MIDI Response 21
- Controllers 22
- Other Settings 23
- E-MU Systems 25 25
- 2 - Guided Tours 27
- Multisetup Page 28
- Single View Close-up 29
- Channel 1-16 View 30
- Adjusting the Controllers 31
- Create Your Own Custom Bank 32
- Save and Save As 33
- Proteus VX Bank Structure 33
- The Librarian 34
- Find your Files 35
- Load your Files 35
- The Multisetup 37
- Saving your Multisetup 39
- The Output View 41
- Global Controls 42
- Proteus VX Aux Bus Routing 43
- Filter Descriptions 44
- E-MU Systems 45 45
- Preroll RAM Used 46
- CPU Meter 47
- Number of Samples Playing 47
- Current Channel 47
- Working with Multisetups 48
- E-MU Systems 49 49
- 4 - Preset Editor 51
- Preset Globals 52
- Capture MIDI Controllers 53
- TwistaLoop Lock To Tempo 53
- Initial Tempo 53
- Tuning Tables 54
- E-MU Systems 55 55
- Preset Modulators 56
- Templates 56
- Channel Lag 1 & 2 Rate 57
- Poly Key Timer 57
- Channel Ramp 58
- 5 - Effects 59
- Programming Effects 60
- Adding an Effect to a Preset 61
- FX Routing 63
- Effects Overhead 64
- Typical Effects Usage 64
- VSTi Bus Outputs 64
- Main Output Window 65
- Aux FX Screen 67
- Preset FX Screen 68
- E-MU Systems 69 69
- E-MU Systems 71 71
- Effects Listing 72
- Effects Descriptions 72
- Early Reflections Reverb 73
- Reverb Lite (mono) 74
- Background: Chorus 75
- Modulation Parameters 75
- Chorus / Delay 76
- Compressor 77
- Delay Mode: 79
- Discrete stereo 79
- Feedback 80
- Delay (BPM) 82
- (stereo) 88
- Pitch Shifter (mono) 89
- Ring Modulator 90
- Modulator 91
- TremFilter 92
- Tremulator Waveforms 93
- Drag & Drop 98
- Changing Settings 98
- Main Display View 100
- Tree View 100
- Refresh (F5) 101
- Context Sensitive Menus 101
- Undo/Redo 101
- View Menu 102
- 6 - Controls 102
- 7 - Synthesizer Basics 103
- Modulation 104
- Modulation Cords 105
- Envelope Generators 106
- Inverted Sawtooth 107
- Sawtooth 107
- Random Sources 108
- Clock Modulation 108
- Function Generators 109
- Modulation Destinations 110
- Modulation Processors 111
- Dynamic Filters 112
- Frequency 113
- Amplitude 113
- Parametric 115
- The Z-Plane Filter 116
- E-MU Systems 117 117
- Preferences 118
- Voice Edit 118
- MIDI Program Change Commands 119
- MIDI Modes 119
- 8 - Appendix 121
- Toolbar Functions 122
- MIDI Implementation Chart 123
- See note 126
- Received Channel Commands 127
- Special Notes: 127
- Controller Functions 128
- Numerics 129
- E-MU Systems 131 131
- E-MU Systems 133 133
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