E-Mu PROTEUS FX Manual do Utilizador Página 73
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5 - Effects
Effects Descriptions
E-MU Systems 73
Reverb
The Reverb is a medium load reverb, designed to simulate various types of rooms, halls
and plates.
Modulation Parameters
• Wet/Dry Mix
•Decay
• Diffusion
Early Reflections Reverb
The Early Reflections algorithm is the most resource-intensive reverb model and has
the most adjustable parameters. This reverb is designed to simulate various halls,
rooms and reverberation plates. See also “
Background: Reverb” on page 72.
Parameter Description
Decay Sets the decay time of the entire effect.
Diffusion Sets the amount of scattering of the reverb cloud. Note that
high diffusion settings will increase the overall decay time.
Room Size Changes the spacing of the reverb stages to simulate rooms of
various shapes and sizes.
Early Reflections Sets the volume of the initial wall reflections.
Pre-Delay Sets the amount of time before any reflected sound is heard.
Range:1millisecond to 200 milliseconds
High Freq. Damping Sets the rate at which high frequencies die away.
Low Freq. Damping Sets the rate at which low frequencies die away.
Stereo Mode Independent - In this mode, the left and right sides function
as completely separate reverb units.
Figure Eight - This mode incorporates criss-cross feedback in
which the left channel feeds the right and vice-versa.
Matrix - This mode utilizes multiple feedback paths to create a
spacious, natural sound.
Parameter Description
Pre-Delay Sets the amount of time before any reflected sound is heard.
Early Reflection
Mode
Selects the pattern of the early reflections. Select between: Hall 1,
Hall 2, Hall 3, Room, Spiral, Multitap, 6 tap, 12 tap, 12 tap rising,
or up & down.
Early Reflection
Room Size
Scales the spacing of the early reflections to simulate rooms of
different sizes.
Early Reflection
L/R Spacing
Scales the spacing of left side reflections versus the right side, to
create a more interesting stereo image.
Early Reflection /
Tail Balance
Allows you to balance the relative volumes of the early reflections
and the reverberation cloud. 0% to 100%
HF Damping High Frequency Damping cuts the High Frequency content to
simulate soft, absorbent surfaces such as draperies, wood or
people.
When using the
Figure Eight or Matrix
modes, pan position will
be less focused and the
stereo image will be
somewhat blurred.
- E-MU Systems 1 1
- Operation Manual 2
- Table of Contents 3
- 4 Proteus VX Operation Manual 4
- E-MU Systems 5 5
- 6 Proteus VX Operation Manual 6
- E-MU Systems 7 7
- 8 Proteus VX Operation Manual 8
- Introduction 9
- System Requirements 10
- Software Installation 10
- Setting up Cubase LE 11
- and Proteus XVSTi 11
- MIDI Channel 15
- On Your Own 16
- Proteus VX 16
- Main Window 16
- Troubleshooting Checklist 17
- Setting up the Preferences 18
- Audio Preferences 19
- Headroom/Boost 20
- VST Output Buses 20
- MIDI Inputs 21
- MIDI Response 21
- Controllers 22
- Other Settings 23
- E-MU Systems 25 25
- 2 - Guided Tours 27
- Multisetup Page 28
- Single View Close-up 29
- Channel 1-16 View 30
- Adjusting the Controllers 31
- Create Your Own Custom Bank 32
- Save and Save As 33
- Proteus VX Bank Structure 33
- The Librarian 34
- Find your Files 35
- Load your Files 35
- The Multisetup 37
- Saving your Multisetup 39
- The Output View 41
- Global Controls 42
- Proteus VX Aux Bus Routing 43
- Filter Descriptions 44
- E-MU Systems 45 45
- Preroll RAM Used 46
- CPU Meter 47
- Number of Samples Playing 47
- Current Channel 47
- Working with Multisetups 48
- E-MU Systems 49 49
- 4 - Preset Editor 51
- Preset Globals 52
- Capture MIDI Controllers 53
- TwistaLoop Lock To Tempo 53
- Initial Tempo 53
- Tuning Tables 54
- E-MU Systems 55 55
- Preset Modulators 56
- Templates 56
- Channel Lag 1 & 2 Rate 57
- Poly Key Timer 57
- Channel Ramp 58
- 5 - Effects 59
- Programming Effects 60
- Adding an Effect to a Preset 61
- FX Routing 63
- Effects Overhead 64
- Typical Effects Usage 64
- VSTi Bus Outputs 64
- Main Output Window 65
- Aux FX Screen 67
- Preset FX Screen 68
- E-MU Systems 69 69
- E-MU Systems 71 71
- Effects Listing 72
- Effects Descriptions 72
- Early Reflections Reverb 73
- Reverb Lite (mono) 74
- Background: Chorus 75
- Modulation Parameters 75
- Chorus / Delay 76
- Compressor 77
- Delay Mode: 79
- Discrete stereo 79
- Feedback 80
- Delay (BPM) 82
- (stereo) 88
- Pitch Shifter (mono) 89
- Ring Modulator 90
- Modulator 91
- TremFilter 92
- Tremulator Waveforms 93
- Drag & Drop 98
- Changing Settings 98
- Main Display View 100
- Tree View 100
- Refresh (F5) 101
- Context Sensitive Menus 101
- Undo/Redo 101
- View Menu 102
- 6 - Controls 102
- 7 - Synthesizer Basics 103
- Modulation 104
- Modulation Cords 105
- Envelope Generators 106
- Inverted Sawtooth 107
- Sawtooth 107
- Random Sources 108
- Clock Modulation 108
- Function Generators 109
- Modulation Destinations 110
- Modulation Processors 111
- Dynamic Filters 112
- Frequency 113
- Amplitude 113
- Parametric 115
- The Z-Plane Filter 116
- E-MU Systems 117 117
- Preferences 118
- Voice Edit 118
- MIDI Program Change Commands 119
- MIDI Modes 119
- 8 - Appendix 121
- Toolbar Functions 122
- MIDI Implementation Chart 123
- See note 126
- Received Channel Commands 127
- Special Notes: 127
- Controller Functions 128
- Numerics 129
- E-MU Systems 131 131
- E-MU Systems 133 133
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