E-Mu B-3 Instruções de Operação descarregar pdf (Página 199)

Chapter 11: Reference Section 189

Z-PLANE FILTER DESCRIPTIONS

F084 0>Muter

Morph: Introduces “Mute”.

Freq. Tracking: Provides key tracking to fix partials.

Transform 2: Selects “Mute” variety.

F085 PZ Syn Horn

Morph: Controls brightness.

Freq. Tracking: This moves the harmonic modifiers higher in

frequency.

Transform 2: This makes a modest change in brightness (fine

tuning).

Comments: This filter models the harmonic content of a synth

horn, thus will lend a synth horn sound to other samples.

F086 HP Brass

Generally, each frame in this filter cube provides either a steep

rolloff of low frequencies or a sharp boost of high frequencies,

with one axis arriving at flat response. Note that with Transform 2

set to 255, the polarity of the sweep along the Morph axis is

reversed. This filter can be a good choice when you need a sharp

accentuation of high-frequency material.

Morph: Sweeps the highpass filter, with direction dependent on

setting of Transform 2.

Freq. Tracking: Higher values produce thinner, brighter sounds.

Transform 2: Sweeps the highpass filter, with direction dependent

on setting of Morph Offset.

F087 BrassyBlast

This filter provides several responses similar to that of a lowpass

filter, but with the addition of a gentle bump in the midrange to

upper-midrange.

Morph: Use to sweep the filter.

Freq. Tracking: Adds a resonant bump at about 200Hz, which

flattens out as the value is moved upward.

Transform 2: Works similarly to Frequency Tracking, but adds a

gentle bump at about 8kHz as the offset is increased.

Comments: A very smooth-sounding filter, great for brass-type

filter sweep effects.

F088 BrassSwell

Similar to a lowpass filter, but multiple resonant peaks give this

one a bit of a vocal, phase-shifter-like quality.

Morph: Use to sweep the filter.

Freq. Tracking: Tunes the filter.

Transform 2: Higher values add midrange “beef” and resonance.

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