E-Mu PROTEUS FX Instruções de Operação descarregar pdf (Página 85)

STEP-BY-STEP

REVERSING THE SOUND

A simple concept. The instrument sounds

can be played in reverse. This will nor-

mally make an instrument sound quite a

bit different. It also virtually doubles the

number of raw instruments you have to

work with, and it’s fun.

REVERSE SOUND

pri:Off sec:Off

You’re probably getting the idea by now.

Remember not to change presets or the

preset will return to normal. If you want

to save your creation, select the last

screen in the Edit menu and select a

destination preset location for your

masterpiece, then press Enter. That’s it.

The previous examples were offered solely

to pique your curiosity. By all means, go

ahead and experiment with any of the

other functions. Some of the best sounds

have been discovered by accident. If it

sounds good ... Do it!

PROTEUS SYNTHESIS

Oh, no! Not another form of synthesis to

learn. Relax. It’s easy. Proteus Synthesis

is actually just a form of additive synthe-

sis. Only, instead of building a sound

from simple sine waves, Proteus FX starts

with complete sampled sounds or com-

plex waveforms and combines all or part

of these together to form a new sound.

The process is illustrated below.

The envelope generators controlling the

DCAs (digitally controlled amplifiers) can

be used to fade between two instruments

(primary and secondary) during the

course of a note. This powerful technique

allows you to combine elements of

different instruments together to form

completely new sounds. New sounds that

are totally natural, because they are based

on natural sounds. Proteus FX also

contains many digitally generated wave-

forms that can be combined with other

digital waves or with sampled instru-

ments in order to change the character of

the sound, perhaps to add a digital “edge”

or add more bottom. In addition to the

envelope generators, parameters such as

Delay, Sample Start, and Crossfade allow

you to further control the blend of

primary and secondary instruments.

Portions of two sounds are dynamically crossfaded in order to produce a new sound containing elements

of both.

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