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B-3 Operation Manual 69
Programming Basics
Preset Modulation Processors
More Examples To derive a smooth random function you could route the Pink Noise
generator through one of the Lag Processors. A smooth random wave is
useful in small amounts to add a degree of natural variation to timbre when
routed to filter cutoff. Normal pink noise is low pass filtered audio
frequency noise with a 3 dB/octave slope to give equal energy per octave. B-
3 pink noise is actually more like very low frequency filtered noise, but it is
perfect for use as a random control source.
The Quantizer can generate interesting whole-tone scales when envelope
generators or LFOs are routed to the input. The quantizer turns a smoothly
changing input signal into a series of steps. By routing the output of the
quantizer to Pitch and adjusting the PatchCord amounts, you can control
both the number of steps and the pitch interval of each step.
The input PatchCord amount controls how many steps will be generated.
With a sawtooth wave (LFO+) feeding the input and the PatchCord amount
set to 100%, sixteen steps are generated. The output PatchCord amount
controls the size (or interval) of the steps.
Try setting up the following patch exactly as shown below using your
favorite preset as a starting point.
Lag
Processor
Pink
Noise
Filter
Cutoff
Cord Cord
Lag Smooths
Pink Noise
Smooth
Random Function
Quantizer
Number
of
Steps
Size
of
Steps
Cord Cord
L1
LFO1 SHAPE SYNC
sawtooth key sync
L1
LFO1 RATE DELAY VAR
0.35Hz 000 000
- OPERATION 1
- Operation Manual 2
- E-MU Systems 3
- Programming Basics 53 5
- Edit Menu 83 5
- Programming Tutorial 129 6
- B-3 Operation Manual 7
- Index 181 8
- Introduction 9
- Overview 10
- Important Safety 11
- Instructions 11
- Maintenance 12
- Save These Instructions 13
- Radio and 13
- Television 13
- Interference 13
- Foreign Language Warnings 14
- - German 14
- PERSONEN 15
- - French 17
- Interférences 19
- Radio et 19
- Télévision 19
- DECLARATION OF CONFORMITY 20
- B-3 Operation Manual 13 21
- Connection 22
- MIDI Out 23
- 16 E-MU Systems 24
- Connection Instructions 24
- Instant 25
- Gratification 25
- To Audition a Preset 26
- Bank Organization 27
- MIDI BANK SELECT 28
- Basic Operations 29
- 30
- Front Panel 31
- Controller 31
- To Quick-Edit a Preset 32
- KNOBS DEEP EDIT 33
- To Change the MIDI Channel 34
- To Change the Preset 34
- To Change the Channel Volume 35
- To Change the Channel Pan 36
- Navigator 37
- Multitimbral 38
- Operation 38
- Multisetup 39
- Restoring 40
- Multisetups 40
- RESTORE MULTISETUP 40
- 03 Jazz Encounter 40
- B-3 Operation Manual 33 41
- Sequencing 42
- Master Menu 43
- Defining 44
- MASTER VELOCITY CURVE 45
- MIX OUTPUT 46
- B-3 Operation Manual 39 47
- Master FXA 48
- Algorithm 48
- MASTER FXA ALGORITHM 48
- B-3 Operation Manual 41 49
- Selected 53
- 48 E-MU Systems 56
- MIDI Parameters 56
- B-3 Operation Manual 49 57
- Current Multisetup 58
- Program /Preset Map 58
- All User Tuning Tables 58
- Multimode Map 58
- SEND MIDI SYSEX DATA 59
- USER KEY TUNING Table:1 59
- Key: C1 Crs: 036 Fine: 00 59
- To Change the Master Tempo: 60
- Programming Basics 61
- Summing Nodes 62
- Modulation 63
- PatchCords 64
- Envelope 65
- Generators 65
- Frequency 67
- Oscillators 67
- LFO Synced to 1/4 Note Clock 69
- Destinations 70
- Processors 71
- Flip-Flop 72
- Quantizer 72
- Lag Inputs 72
- Preset Ramp 73
- Real Rocket Science 74
- Velocity ~ 75
- B-3 Operation Manual 69 77
- Preset Modulation Processors 77
- Dynamic 79
- Low Pass 80
- Amplitude 81
- Low Q Med Q High Q 81
- Parametric 83
- 76 E-MU Systems 84
- Dynamic Filters 84
- Z-Plane Filter 85
- MIDI Channels 86
- Real-time 86
- Controls 86
- B-3 Operation Manual 79 87
- Stereo Mix 89
- 82 E-MU Systems 90
- Stereo Mix Outputs 90
- Edit Menu 91
- PRESET NAME 92
- org: 8 0 8 0 8 8 0 6 3 92
- Four Layer 93
- Architecture 93
- Middle C 95
- C0 C1 C2 C3 C4 C5 C6 97
- Layer 1 Layer 2 98
- Fade Fade Switch 98
- Increasing Velocity0 99
- Layer 2Layer 1 99
- 92 E-MU Systems 100
- Edit Menu 100
- Defining Layer Parameters 100
- Switch Switch Switch 101
- Realtime Control Value 101
- 127112968064483216 101
- 94 E-MU Systems 102
- B-3 Operation Manual 95 103
- 96 E-MU Systems 104
- Tempo-Based Envelopes 105
- Key Down Key Released 106
- ASSIGN GROUP 109
- 102 E-MU Systems 110
- Filter Types 111
- Filter Parameters 114
- Envelope Repeat 115
- To Turn on Envelope Repeat: 115
- Defining the Filter Envelope 115
- 108 E-MU Systems 116
- Auxiliary Envelope 116
- LFO Tricks & Tips: 117
- 0 118
- Variation 120
- Control Value Applied 122
- LFO 1 & 2 Trigger 123
- Parameters 125
- Jack Detect 126
- FXA ALGORITHM 127
- Lg Concert Pan 127
- B Effect Types 128
- Initial Controller 131
- INITIAL CONTROLLER AMT 131
- The Just C Tuning Tables 133
- Just C2 minor 133
- 126 E-MU Systems 134
- Preset Links 134
- B-3 Operation Manual 127 135
- Preset Tempo Offset 135
- 128 E-MU Systems 136
- Play Solo Layers 136
- Programming Tutorial 137
- 130 E-MU Systems 138
- Editing Presets 138
- To Chorus a Layer 139
- To Setup the Volume Envelope 140
- B-3 Operation Manual 133 141
- Adding the Filter Envelope 142
- To Setup the Filter Envelope 142
- Instrument 143
- Changing Filter Types 144
- Linking 147
- 140 E-MU Systems 148
- Linking Presets 148
- Effects 149
- 142 E-MU Systems 150
- Effects Overview 150
- A Effect Types 151
- High Frequency Damping 152
- Feedback 152
- LFO Rate 152
- Programmed 153
- 146 E-MU Systems 154
- Master Effects 154
- Flexible Effects 156
- “multi” for the mode 157
- FX MULTIMODE CONTROL 158
- Effect B 159
- Effect A 159
- General Effect 160
- Descriptions 160
- B-3 Operation Manual 153 161
- General Effect Descriptions 161
- 154 E-MU Systems 162
- Save/Copy Menu 163
- Copying 164
- Information 164
- L1 -> L4 165
- To Copy a Preset Bank 166
- To Create a Random Preset 166
- To Copy a User Bank to Flash 167
- 162 E-MU Systems 170
- Copying Information 170
- Appendix 171
- B-3 Preset 172
- Nomenclature 172
- Preset Catagories 173
- Riff Listing 176
- Instrument Listing 178
- B-3 Instrument 178
- Velocity 179
- 172 E-MU Systems 180
- Velocity Curves 180
- PatchCord 181
- Amount Chart 181
- MIDI Implementation Chart 182
- Bn 00 bb 184
- Bn 20 bb 184
- Technical 185
- Specifications 185
- Warranty 186
- Restrictions 186
- How To Obtain 186
- Warranty Service 186
- Personnel 187
- Equipment 187
- 180 E-MU Systems 188
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